Junk Box

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wheelr:

guttersnipercomics:

letteringlibrary:

How To Format A Comic Book Script
"Notes as follows:
1) A page header with the book title, number and writer’s name.
2) Each new script page should begin on a new document page. And you can’t miss the page number when it’s big and bold. Often, I have to skim through a script to look for a note or direction. Big page numbers help tremendously.
3) Panel numbers almost as bold and clear as the page number.
4) Panel descriptions for the most part don’t have to be that lengthy unless it’s really necessary. The actions of characters should be here, (not in the lettering area; see #6) set direction, and notes to the other members of the creative team if necessary.
5) Also, the digital age has given us the greatest source of reference that comic creators have ever had access to. Links to reference photos should also be included in the panel description.
6) Under each panel description is the lettering area. Everything that needs to be lettered goes here.
7) Each item in the lettering area should be numbered. If the editor is doing lettering placements, these numbers correspond to the placements sent to the letterer.
8) The call-out of each lettering item and any descriptors like these:
CHARACTER (OFF), meaning the character is speaking from off-panel.
CHARACTER (WHISPER), self-explanatory.
CHARACTER (BURST), meaning the dialogue is shouted and should be in a burst balloon.
CHARACTER (WEAK), character’s dialogue should be diminished.
CHARACTER (SINGING), self-explanatory. Usually accompanied by music notes.
9) Like dialogue, captions have their own descriptors:
NARRATION or CAPTION (CHARACTER), self-explanatory. The inner thoughts of a character.
CAPTION (TIME/PLACE), such as, “New York, 2013.”
CAPTION (VOICE OVER), meaning the character is speaking, but is not in the location shown in the current panel.
10) SFX, self-explanatory, “sound effect”.
11) Dialogue should be indented, NOT tabbed over. If you use tabs, the letterer has to run find/replace searches on the document to delete them all before lettering. (To use indents in MS Word, go: Format / Paragraph / Indents & Spacing.) Dialogue should also be written in plain sentence case, not CAPS.
12) Dialogue that should be bold in the comic, should be bold and/or underlined in the script. If you use caps for bold dialogue, the letterer will have to convert it to sentence case before lettering.
13) Non-English dialogue should be italic. Whole blocks of dialogue that are translated into English, should begin with a , and are usually accompanied by a caption explaining what language is being spoken.”
- Nate Piekos
http://www.comicbookscriptarchive.com/archive/panel-1/how-to-format-a-comic-script/

Very cool.

This is in fact the format I use, and one that I know is being passed around by writers both professional and aspiring. It’s an excellent, intuitive format.

skylarduquette:

"no" is too serious

"nope" is too casual

"nah" is just right

"Did you kill this man?" "Nah"

(Source: bound2014, via burtreynoldsmustache)

nickanimationstudio:

"Nickelodeon Nostalgia" by NAS Storyboard Artist Aaron Austin

I’ve been at Nickelodeon for about 3 months now, and I wanted to make something that paid homage to the Nickelodeon cartoons I grew up with. It’s amazing how much a cartoon can mean to you even after so many years. I’m so grateful I have the opportunity to help create shows for today’s kids!” -Aaron

(via 90s90s90s)

spitzero:

Sailor Moon- by KRMAYER
Posted to SpitZero, a fanart tumblr
Originally debuted at Sakuracon, 2014
8bitbowtie:

I was so nervous talking to a man that I have admired for twelve years of my life. The man who let me know as a child that miserable things happen and that’s perfectly normal. The same man who helped me overcome my fear of reading after being screamed at by my teacher that I would never be able to read anything my grade level, only to have a college level reading skill by the end of sixth grade. My motivation to write and keep doing whatever I want because no matter who tries to bring me down, I know that I can overcome it just like I did those years ago.
I blushed and stuttered, barely getting out a ‘this may sound dorky, but thank you for everything you’ve done for me’. I hadn’t told him the tragedies that had gone on in my life in specifics. I thanked him for giving me a chance when so many adults did not and how I found it ironic that I still love a series about miserable children when I practically went through the same thing. And even though I’ve heard ‘I’m sorry’ so many times about every death, every terrible thing that has happened, I have never heard one so sincere.
Here I was beating myself up about failing to convey myself in front of this wonderful man. How I missed my chance. Putting my things away, I grabbed my book and peeked inside to see this. And I began to cry.
This is a man who I have never met before. A man I have only dreamt of meeting since I was very small. But yet in one small sentence he has managed to move me entirely. A sentence that has needed to be said for a long time now.
‘To Bridget, who has suffered enough.’

the-urban-journal:

Hunger of the Pine by alt-J. Love the song. Love the sample. Love the band.

dzolamboto:

oregonfairy:


The tallest statue in the world, Ushiku Daibutsu.

this always gives me chills


Insane.
spitswap:

i just can’t even oh lord

mhetralla:

(via slimespook)

son-ofsam:

panemoppression:

Arturo is a 29-year-old male polar bear currently living in Argentina’s Mendoza Zoo. He is suffering in 40C (104F) heat in an enclosure that has just 20 inches of water for him to swim in and has as a consequence been displaying worrying behavior.

Please sign this petition or at least spread the word in order to have Arturo transferred to a zoo in Canada which has better facilities for an animal that is used to polar conditions.

(via burtreynoldsmustache)

erm??
reservoirrr:

Matthias Grünewald,